Livestation arabic free#

officials accused Al-Jazeera Arabic of being an arm of al-Qaida for running videotaped statements from Osama bin Laden and his aides. The original Doha-based Arabic language channel is known in the Middle East for airing views that are independent of regimes in the region. The Al-Jazeera networks are backed by the riches of the ruling family of Qatar. 'I'm delighted were so politically active, but who knew they were so pro-establishment?' 'We reported live from the bar, but it meant having police snipers on top of the buildings, undercover cops around me,' Rushing recalls. And second, a local media frenzy erupted. When Al-Jazeera English correspondent Josh Rushing traveled to Golden, Colo., last summer to interview people watching Barack Obama's acceptance speech at the Democratic convention in Denver, two things happened.ДЇirst, three rival biker gangs banded together to protest Rushing's presence. Being released towards the end of November, The Arabic Room might miss a few year-end lists, but you still owe it to yourself to not let it slip away.Israelis Shun Al-Jazeera's Arabic News Network March 25, 2008 His improvisational skills are quite extraordinary, but his musical intuition kicks it all up a notch or three. If The Arabic Room isnвЂ™t a groundbreaking mixture of styles, itвЂ™s at least a very daring one enhanced by MasriвЂ™s musicianship.

That has less to do with the album being cloudy and more to do with it being downright stormy. Despite the songвЂ™s title, this represents a break-in-the-clouds moment that has been The Arabic Room so far. The albumвЂ™s tension takes a brief break at the start of вЂњThe New Sandy Bull ShitвЂќ, an eight-minute song where MasriвЂ™s stringed instrument and drum kit are recorded with equal clarity. Meanwhile, вЂњKiller in the SkyвЂќ is some seriously surrealistic overdubbed vocalization. вЂњRana Ransom Dance Floor CrasherвЂќ throws repeated low-end thuds against a cyclical upper-register melody. вЂњThe Esoteric Ordnance of Howling MysticsвЂќ combines one of the bowed instruments with the sound of a malfunctioning Atari. While Masri climbs up and down the keyboard, electronic tones try to catch up with one another as they ascend to a register within canine earshot. вЂњLive Station Identification Broadcast From the CentraleвЂќ comes next, and it has very little to do with its predecessor. Extras like radiotronics and a double kick drum give the mix an extra jolt, not that it really needed it in the first place. He reprises the manic melody at the albumвЂ™s end but somehow manages to play it even faster. The lead instrument is so distorted that I canвЂ™t tell if itвЂ™s the rababa, the kamancheh, or something else. Starting with a muffled broadcast of what might be street music that is soon interrupted by a female announcerвЂ™s voice, вЂњWatch on the OrientвЂќ is off and bulldozing, like Ancient Pistol hired a metal drummer. Even within the albumвЂ™s first 20 seconds, sources start to ping violently off one another.

Livestation arabic free#

This idea of an Arabic room, where cultures were free to collide in the eyes of the familyвЂ™s guests, must have affected Masri as he was assembling this album.

When MasriвЂ™s family moved to America, they set up the same sort of room in their new house. This particular sitting area, meant for guests, is a fixture in Lebanese culture, but MasriвЂ™s family gave their Arabic room their unique bent by mixing western and eastern cultures. The Arabic Room is named for a room in MasriвЂ™s house when he grew up in Lebanon. When I say that the music of Mephisto Halabi is almost uncategorizable, IвЂ™m not trying to find myself an easy out - I mean it. The results are straight from the lab of a mad scientist, with sounds and ideas boiling over their beakers and test tubes, wrecking everything in their path. Masri plays all of the instruments, from electronics and keyboards to Egyptian rababa, Azeri kamancheh, and the hammer dulcimer. IвЂ™d say that it doesnвЂ™t even belong in any of the not-so-neat categories, blending elements of eastern exoticism, circuit-bent electronics, and some of the heaviest free improvisations you might ever hear. His album The Arabic Room doesnвЂ™t fit into any neat musical categories. Mephisto Halabi is a current moniker for drummer Julius Masri, a musician whose talents lay far, far, far beyond just keeping time on a drum kit.